Mahabharat

I have been hooked to this latest series on Star Plus. It ‘looks’ great – the sets, costumes, camerawork. The graphics could have been better at some places though. Great performances by most of the actors. The superhero images for all the warriors are built very well. Catchy music and fitting theme songs for each character. The chorus really elevates the visuals. Most of the music sounds ‘modern’ as well. The show seems to be very popular on youtube. Doesn’t drag much like other mega serials except for some parts. On the whole, it maintains a good pace, though I wish some of my favourite parts like Yaksha’s conversation with Yudhishthir were a little longer. Great idea to bring on Krishna right from the beginning with his thought-provoking words. There have been some changes to the story to add to the dramatic effect, but it sort of stays true to its own version.

That was more about the ‘cosmetics’. How does it all come together and create an impact? Dharma seems to be the link throughout. We are reminded time and time again of the oaths that people take (Bhishma’s is of course most impressive), their Dharma which sometimes is apparently conflict with their oath, and the idea of Tapasya. Krishna guides us through the whole process of trying to understand what Dharma is.

I am impressed by the way the female characters (in fact almost all the characters) have been developed. I doubt if it was this way in the original version also. For instance, after Draupadi’s Swayamvara, once Kunti asks the Pandavas to share the ‘alms’ they have received, Vyasa comes and tries to clarify the situation and help them discover their Dharma. Given the unusual decision, there are also extra oaths that the Pandavas and Draupadi have to take during their marriage. The translation of the original text only seems to refers to the fact that Draupadi will regain her virginity after being a wife to only one of the Pandavas every year. In the very well written book, The Palace of Illusions, by Chitra Divakaruni Bannerjee, where we follow the story from Panchali’s point of view, this aspect is explored and Draupadi feels how it’s a convenient thing from a patriarchical point of view that she becomes a virgin after every year, but what about her feelings and memories? This issue has been addressed by the version shown on Star Plus (of course, the whole idea of Adharma with respect to Draupadi’s marriage to the five Pandavas comes about only because kings were allowed to have multiple wives but a woman could have only one husband). Both Draupadi and the Pandavas take the oath that they will do Tapasya at the end of every year to detach themselves from the bonds and memories that were formed and start anew. A very balanced view is thus shown and Draupadi also speaks her mind in every situation.

In fact, at every difficult situation, the discussions keeping Dharma as the focus is what makes this version very appealing. The back stories with how someone in their previous life did something and that’s what is affecting them in the current life are avoided for most parts. Somehow, when there is the awareness that given any situation, we can take a decision based on Dharma that is appropriate for that situation rather than trying to find a reason from previous lives and previous Karma that we seem to be unaware of, gives more strength to the arguments and decisions. Anyway, at every moment in life, there is always a non-zero probability that a disaster strikes us. There is no point thinking why the disaster has struck. The more important thing is how we react to that.

Having Dharma as the central focus, we get to see how different characters react to the notion of Dharma. Bhishma – how his one oath changes his whole life and the fate of Hastinapur. Yudhishthir – the son of Dharmaraja himself but he too gets caught in the technicalities of Dharma (he seems to have been painted in an even better light in this series). Duryodhan – who doesn’t care about Dharma but consistently behaves with his only goal of becoming the emperor in mind. Karna – constantly in conflict with his promise to his friend and his knowledge of Dharma. Shakuni – wicked and clever and knows how to manipulate the notion of Dharma to suit his plans. Krishna – clever and knows even better how to give strength to unusual (but appropriate for the situation) interpretations of Dharma. The presence of Shakuni and Krishna make for such a contrast.

On the whole, a very engaging series. Anyway, we can never tire of reading/listening to/watching Mahabharat. Epic indeed.

On Life

On Motivation
Doing a PhD, as many people have experienced and recorded, requires a lot of self-motivation which may seem elusive very often. Throughout the course of this period, I have been trying various tips and tricks, like the Tomato Timer, 30-day challenges, watching TED videos, and reading various stuff on the internet. The thing is you don’t know what will help at which point and you can’t but help become a little philosophical and a little distressed when things don’t go your way. The latest quote which I found very practically useful is the following: ‘The secret of work: Let the end and means be joined into one.’ That’s yet another representation of the golden mantra of ‘Living in the moment’ or ‘Carpe Diem’! The search to find motivation everyday shall continue. Thankfully, when the deadlines appear closer, finding the motivation also seems a little easier. The hardest challenge sometimes is to relish and do efficiently the apparently mundane things, but if one doesn’t have the determination to do that, it’s very hard to become a good researcher.

On ‘Transport’ of things
How much time do we spend in transporting things? Most of the mundane activities in everyday life involve transport. Moving things from the supermarket to home. Moving things from outside to within the body. Moving things from home to work. From work to home. From here to there all the time. Apart from basic necessity, we do this transport to maintain a sense of order as well. Does so much movement outside restore some order to the rush that’s happening within us as well? Shouldn’t we act in the same spirit when we move these objects in the external world as we would do when we want to move those parts within us and rewire those neurons as well?

On Music
Moving those parts within brings us to music. That inexplicable thing that effortlessly helps move those parts within. No matter what emotion the mind creates, it is also capable of creating the perfect piece of music that reflects that emotion. Is music something beyond exciting the intellect and moving the heart? It certainly gives more than it takes. It is not a mere permutation of the basic notes. Between those notes, there is so much to discover. Music feels divine.

On God
What is divinity? Godliness? Another secret of work is to feel like it is a form of worship. In religious rituals, whenever we offer something to God, it is supposed to be made with the best of ingredients, intentions, and purity. In that way, if every apparently mundane thing and every important thing is done with the feeling that we are doing it in order to worship God, it can give a little more meaning to life. As humans, if we can think of God as another being, then somehow we feel this emotional connect, but otherwise, in verifiable terms in the present, what is the notion of God that we have? When I try to do something, the purpose of doing that I think is God. For instance, with washing clothes, cleanliness is I guess Godliness. In this context, Dharma also appears. Dharma also seems like another notion of God.

On Dharma
What is Dharma? The question that Mahabharat tries to answer through various incidents. It seems to depend on so many things like place, time, the person concerned and the person in relation to whom it concerns. Invariably, with Dharma comes Dharmasankat where there appear to be multiple Dharmic ways ahead. Let us assume we sort out this problem and find out what the Dharmic way is. With that ends all confusion and there is no more the question of one’s desire. Coming back to how to find the Dharmic way, it seems like one should define one’s own Dharma and stay true to it. In other words, stay true to your own conscience. According to Sri Sarada Devi, ‘The mind is everything. It is in the mind alone that one feels pure and impure. A man, first of all, makes his own mind guilty and then alone he sees another man’s guilt.’ In other words, only when you impose your Dharma on someone else do you find that person to be guilty. Also, if, as individuals, we are clear on what our Dharma is, then no external thing can ever touch us.

On Desire
Desire is the ultimate killer. The cause for disappointments, sadness, and all such emotions when it is not fulfilled and temporary thrills and joys when it is fulfilled. Again, it is the mind that creates those desires and it is not impossible to rewire those neurons and remove those unwanted desires. Despite life denying us time and time again so many things that we desire, the desire itself continues to flourish. Some desires do seem desirable, in the sense that without a basic desire to live and accomplish things, life can seem meaningless. Is real freedom then removing these desires that dissipate our emotional energy and only allowing our mindspace for the Dharmic desires? In other words, can we let our ego die every moment and give life to the things that truly matter?

On Beauty
Beauty is like a breath of fresh air whenever we encounter it, leaving us wonderstruck, emptying our minds of all other emotions and making us sit up and notice and focus on only that. What is beauty really? Beauty to me seems to be Focus. Why do certain scenes look so beautiful? Why do certain actions look beautiful, like Federer hitting that perfect forehand? When all matter is the same set of fundamental particles rearranged in myriad ways, why do only certain things appear beautiful? At the same time, why do photographs of even mundane things that choose to use the focus in a different way look so beautiful? The key seems to be focus. Beauty is indeed in the eyes of the beholder. Is it then maybe possible to focus deeply or widely enough on every single thing and feel its beauty? Furthermore, can we look beyond everything and focus on the One?

On Oneness
There is verifiable oneness in matter, as we see that all forms of matter are made of the same set of fundamental particles – already discovered or still in contention. There is oneness in the emotions that we go through as humans too. It is possible to connect with another person’s emotions expressed as words or music or when interacting with that person in other ways. When we connect with any form of Oneness, when we connect the parts and that becomes more than its sum, that leaves us with an extreme satisfaction – almost a desireless state. Is that then the goal of life? To connect those dots every moment? To find the motivation to work, irrespective of its nature, through divine music, or conforming to Dharma, or fighting one’s dissipating desires, and find the beauty that connects everything that is conceivable and is experienced by the mind? Is it only an intellectual exercise or something more that gives peace?

On Karuna
Are you searching for a reason to be kind? asks Rahman. Putting it a little differently, how do we so easily find a reason to be unkind? With the feeling of Oneness comes the feeling of kindness (apparently what makes us human) too. Dharma, which can become an intellectual exercise if we only analyse situations ‘rationally’, gains meaning only if it is guided by Karuna. And always thinking of others. Again, being aware of that Oneness every moment, can we discover more kindness in ourselves, Dharma that is guided by Karuna, and our capability to love infinitely?

P.S. What a combination of reading Swami Vivekananda and Rabindranath Tagore, listening to Swami Chinmayananda, watching Mahabharat, watching tennis, listening endlessly to A R Rahman and Sanjay, and doing a PhD can do is this.

Inspired

If you have the will
To persevere till the summit of the hill,
If you have all the conviction there is
To stop ruing missed opportunities,
If you have the consideration
To forgive yourself and others for every reason,
If you have the heart
To love all despite all barriers there art,

If you can let yourself be inspired

By all that is heard:
Chirps of birds in the early morning stillness,
Or words of compassion and kindness,
The touch of the piano or drums,
The violin strokes or the guitar strums.

By all that is seen:
The green leaves at spring,
The sunset or the sun rising.

By all that is felt:
Love, goodness, forgiveness,
Cleanliness, calmness, Oneness.

The Red Dot

I have a personal question, he said.
What is that dot, on your forehead?

Is that a hole? quipped another.
How gory, it made me wonder.

‘Did you draw it with a pen?’
I heaved a deep sigh then.

Then there is the usual ‘What does it mean?’,
So I wikied and prepared an answer clean.

Now, when I see those raised eyebrows,
And feel the stare between my eyebrows,

The auto-answer mode switches on,
It’s the yogic centre of concentration,
A Hindu symbol, I go on,
Showing off with resignation,

The Eyetex Pottu packet,
Tucked in my wallet,

Filled with no mean stickers,
But skin-pH-matching wonders.

Mediterranean Blues

I always knew food would be a problem throughout my long trip down south in France, but I realise it even more now, when my taste buds have been finally satisfied with some good rasam after nearly three weeks. Onto more interesting things…

Starter

It began with a weekend stay in Nice. This city in the southern coast of France is blessed with great weather, rocky beaches and great accessibility to all the cities on the coastline. In fact, in one day, you can visit three countries – France, Monaco and Italy. That’s nearly what I did, but not in one day. The castle hill (Montée du Château) offers some breathtaking views of the beaches below. It’s worth taking a trip up there; it is also accessible by an elevator.

Nice Menton Ventimiglia Monaco 2013

The first meal at Nice Life International Cafe was quite good. We had some tortilla and salad with olives, tomatoes and cheese – typical Mediterranean fare. My second trip to this place didn’t leave me very happy though. Happycow (guide to vegan/vegetarian food all over the world) almost completely let me down during this trip. The exception was Menton.

Menton, about half an hour from Nice, is known for its Lemon Festival and fittingly, we were greeted at the station by some orange trees weighing down with oranges. A walk along the promenade is highly recommended here as well. This place is relatively quiet compared to Nice or Monaco but no less beautiful. The main attraction here was Musée Jean Cocteau or Museum of Jean Cocteau. Jean Cocteau, who lived in the previous century, was a complete artist – painter, designer, poet, playwright, film director. Most of his works struck me as bizarre. One interesting play/movie was ‘La voix humaine’ or ‘The Human Voice’ which has only one character – a lady talking on the phone to her lover who is leaving her. Original handwritten versions of this work were on display in the museum.

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If not for anything else, I wouldn’t mind going to Menton again just to eat at Loving Hut. That was in fact one of my motivators to visit this place. Having been a Loving Hut loyal in Leuven for the last couple of years, I was curious to try out a new Loving Hut and was I satisfied or what! This one was much bigger than the one in Leuven and offered local flavours in their food. I had ‘Crostini with sun-filled tomatoes’, ‘Rainbow Rice’ and ‘Pancake with a scoop of lemon icecream’. This was to be my last good meal for days to come. The only other vegetarian restaurant which I have enjoyed even more than this in Europe was ‘Ginko’ at Graz, Austria, which offers mostly Italian and Indian cuisine.

Ventimiglia is a small town in Italy just an hour away from Nice by train. My TER train experience was really good throughout this trip – punctual, frequent connections even during weekends and the tickets were much cheaper compared to Belgium. You could buy a ticket starting from the origin to the final destination and stop over at any of the intermediate places within the day. Ventimiglia is surrounded by hills and they offer more breathtaking views of the coastline. The narrow lanes of the old town here reminded me so much of the narrow paths in highly populated residential areas that we often find in Chennai especially in places like Triplicane and Mylapore. The old town of Nice also looks very similar. The weather plays such an important role in the lifestyle. Throughout this region, it almost never snows. The first big difference I experienced in Europe in this aspect was at Graz where buildings typically have large courtyards in the middle and the staircases are out in the open, which is not at all uncommon in India but impossible in Northern Europe because of the cold weather. Aspects like these were only highlighted even more during this trip – people hanging clothes out for drying, riding scooters and in general being livelier.

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Monaco was different from most other European cities (countries). This land of the richest was densely populated with multi-storey buildings with elaborate roof gardens, roads teeming with luxurious cars and was also very clean. The cactus garden ‘Jardin Exotique’ offered good views of the whole city (country) and I enjoyed seeing the stalactite/stalagmite caves again. It was extremely hot that day and we didn’t have much time since we had to set off to the summer school. Salad lunch started that day and did not stop for the next ten days.

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Main Course

The route from Nice to Peyresq, where I was going to attend a summer school, was very scenic. We were mostly driving along the course of the river.

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Peyresq, located on the French Alps, was a medieval village. Life was hard there and it was home to atmost 250 people till the French revolution. That’s when the people were driven away from there since most men had died in the war and the village was abandoned to the forces of nature. It was rediscovered in the 1950s by a Belgian professor and he initiated the process to reconstruct this place and turned it into a place that will exclusively hold scientific meetings and will be open only during summer. There are only two people who live permanently there to take care of the day-to-day requirements. Food has to be sourced from the nearest town, which is about half an hour drive away. Apples grow locally though. I had to live mostly on salad and bread throughout the duration of the school. It was a true experience of the harsh mountain life in a way.

Peyresq 2013

The best part of this place is the view of the mountains and valleys it offers. The ephemeral nature of these scenes, especially when there were clouds around, was awe-inspiring. I spent many an evening listening to Pachchai Nirame gazing into the lush green pine trees stacked up on the sides of the mountains.

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If not for the beauty of the landscape and the intense and engaging lectures we had, it would have been hard to survive the school. The idea of having an isolated place to hold events like this worked though. The camaraderie we had by the end of the two weeks wouldn’t have been possible otherwise. Nevertheless, I was glad to have finished the main course of the stay and be back amongst people once again.

Dessert

The last leg of the trip starting at Nice again offered more cloudy views of Côte d’Azur (The Azure Coast). I felt like I couldn’t tire of walking along the beach. The azure blues changed to grays following the clouds overhead. The perfect weather of warm and cloudy but not rainy continued throughout the weekend.

Nice Cannes Grasse Monaco 2013

Cannes was the next stop. I was pretty disappointed firstly by the railway station. I thought it would be similar to Monaco but it was quite the opposite. I thought the Film Festival was held in some historic building, but it just looked like a normal modern glass-panelled building. The only highlight was the short boat ride that we could take to two nearby islands. We went to Ile-St-Marguerite and soaked in more of the blues.

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Grasse was a change from all the other cities we visited. It is inland on the hills and is famous for its perfumeries. We visited Parfumerie Fragonard, which exists since the 19th century. The guided tour left me a little dizzy though. It requires months of processing and tonnes of flowers just to produce a small bottle of perfume. Perfumes apparently come with three notes of smells – the softer one originates from citrus fruits like lemon and orange for example, the middle one from flowers like lavender, rose and jasmine, and the hard note, which is what lingers on for a long time even when the perfumed person leaves the place, from musk or other such substances. This perfumery continues to produce new perfumes with the help of their ‘noses’. These are people who have to train for 9 years before they can smell different perfumes and come up with new formulae. Institutes for training ‘noses’ exist only in a few places in the world like Grasse and Paris. Fragonard also manufactures soaps in different flavours like rose, lavender, jasmine, orange and lemon. Fragonard seemed to own most of the main shopping street. They also have their own fabrics, garments and accessories. We also visited a well-displayed Jewellery and Costume Museum displaying collections from the 19th century. A couple of interesting things I found there – some of the floral designs on cottons were inspired from India and the tradition of giving the key-chain of the household to the new daughter-in-law existed there! It went a step further. When the husband dies, the wife throws the keychain into the grave symbolically to signify the loss of her ‘power’ in the household. Anyway, this practice resulted in having elaborately-decorated keychains that you could tie around the waist and had curious objects such as scissors hanging from them.

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Back in Nice, dinner at the vegan place called ‘Le Speakeasy’ was a complete disappointment. The food was tasteless, the place untidy and the requirement to eat something for at least 7 euros was a bit too much to ask for. The thoughts of eating at a vegetarian place remained forgotten for the rest of the trip.

Monaco beckoned us once more and we witnessed the very popular tourist attraction of ‘changing of the palace guards’ at 11.55 AM sharp. It was quite underwhelming to me and was nothing but a few guards marching away from the palace and being replaced by another set. We visited the palace which still continues to function. Lavishly decorated walls and paintings were all over the place. I particularly liked the silk draperies, marble busts of various princes and princesses and some of the paintings. The very modern painting from the 1980s felt quite out of place and only served to enhance the beauty of the older paintings.

We took some customary pictures outside the Casino. We made full use of the 1-day bus pass and also went to the Monte Carlo district of Monaco. The tennis fan in me particularly wanted to see the Monte Carlo Country Club, where the Masters 1000 tournament (won by Nadal 8 consecutive times) is held every spring. I was not disappointed and had a glimpse of the clay courts.

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That almost brings us to the end of the trip. Nice airport is also located on the coast and from the gate area, you can see flights taking off and landing in the background of the sea. The airport is quite small and there wasn’t enough place for everybody to sit especially at busy times like Sunday evenings. I missed the views of the full range of Alps during both flights but on the whole, I couldn’t ask for a better vacation and summer school. Côte d’Azur is truly a beautiful place to visit at most times of the year. Back to Belgium and to cooking! The Rasam beckons…

‘Two Lives’ by Vikram Seth

Upon my recent visit to the local library, I borrowed for the first time here, when I surprisingly had the mood to read one, a novel of a famous contemporary Indian writer, Vikram Seth. Vikram is better known for his novel, ‘A Suitable Boy’, which I am yet to read. I did not have a preconceived notion of how his books would be. Certainly, I had some reservations about reading contemporary Indian authors, what with the experience of having gone through the negativity and swearing of ‘White Tiger’. But I found this memoir/biography by Vikram very much engaging, sensible, sensitive and filled with those little details of real-life people which make them who they are. I felt most connected with Vikram’s ideas and interpretations of various events and people, throughout the book, which brought to light, again and again, the grey shades that exist, in each one of us. The two lives connoted by the title are those of Vikram’s grand-uncle, Shanti Behari Seth and his wife, Henny Seth Caro.

The story flows beautifully, starting with a short account of Vikram’s own early life, a part of which he spent with the two main characters in London at their home. In the last few pages of the book, Vikram adds some details about the thought process that went into the structuring of the book and the starting point for the final version of the book seems the most natural one. Vikram’s description of his Shanti Uncle and Henny Aunty take us into their lives. I can very well imagine how a typical day of Shanti and Henny would be: Shanti, a dentist, working in his surgery during the day, Henny doing the household chores with such perfection and efficiency and punctuality, and their evenings well-spent entertaining friends with bridge parties or simply having a quiet dinner together. Vikram, welcomed into this home, soon becomes one of their ‘chosen relations’ and continues to be so until their deaths.

Once Vikram decides to write this book after Henny’s demise, we are led into Shanti’s life starting from his childhood till the time before his marriage to Henny, through a series of interviews of Shanti by Vikram. Having done a couple of years back what Shanti does at about the same age in his life, i.e. travelling to an European country from India to study, I could relate very much to what Shanti goes through in his first few days in Germany. Shanti seemed to have accepted and comfortably settled into the German way of life. Living in a German Jewish house (that of Henny), amalgamating into their circle of friends and learning to speak and write German (he manages to write his doctoral dissertation, with the help of Henny, in German), Shanti, somewhere along the way seems to lose his Indian identity. Infact, Shanti, who was in some sense, looking for independence (this sense of being ‘independent’ that people talk about has always eluded me, given the fact that we are social animals and living in this world, we can’t but help being dependent on other people in some way or the other), embraced everything that he was exposed to, in his few years in Germany. This was the time indeed, that was going to mould the way he would think and live for the rest of his life.

Henny’s early life is mostly revealed only through correspondence between her and her friends, later in life, when she has lost her mother and sister and her home, to war. Henny seems to have been a sincere worker, who does like to have fun when she is out with friends and was deeply loved (or so it seems) by her fiance Hans.

The second world war, the events leading to the war and its aftermath form the most important parts of the book, which truly bring out the way Henny thinks and idealises (through her letters), how she comes to terms with the fate of her mother and sister and how Shanti too is affected (directly) by the war and ends up losing his arm. The narration goes deeper than the two lives in concern and paints a picture of different shades of terror, helplessness, pity, suffering, guilt, loyalty and power that Germany and its current and former citizens collectively go through. That one man’s wills can be exercised so strongly, supported by so many people, however unreasonable, insane and murderous those wills may be, shows in fact that the ‘grey’ shades in us, when brought together in unison could become black and ugly and ultimately make us utterly inhuman. I remember reading an article sometime ago about an experiment a teacher conducted at school about human behavioural patterns and how, in a way, everybody who aided Hitler in realising his vision could indeed be blind to the sufferings of others. Some aspects of the formation of Israel and the unrest in the Middle East and the link with the second world war is also brought about by Vikram. These sections of the book impacted me the most. When Vikram starts describing the plight of Henny’s mother and sister in the concentration camps, I wikied about these places a little more and it was really heart-wrenching. When I think of concentration camps, I always get reminded of the picture in my 8th standard History book of a couple of survivors from the concentration camp, who appear to be nothing more than skeletons. When I started reading more and more about Auschwitz and Theresienstadt, I felt totally repulsive about the Nazis. The author, on a visit to Jerusalem, uncovers some important documents (which somehow survived the war) which lists details of Henny’s sister and mother and where they spent their final days (hours?). The author goes through a phase of feeling extreme hatred towards everything German, which is but natural when one starts digging deeper into the Nazi attrocities.

Once Henny and Shanti’s lives are restored to some normalcy (which here would refer to not having to worry about what is going to happen to them and their kin in Germany and elsewhere and carrying on with the remaining pieces of their lives after having ‘lived’ through the war), they continue to be friends for a long time before they get engaged and again, it is a couple of years before they get married. It is never apparent whether Henny really likes Shanti as anything more than a friend. The fact that they come together and get married not as a result of very passionate love but by mutual understanding, concern and support and do lead a fulfilling married life is explored by the author beautifully from various aspects. Both of them were well into their forties when they get married, which greatly reduced the possibilities of having children. The void in their lives created by the lack of children is partially reduced when Vikram lives with them for a while and continues to visit and correspond with them throughout the remainder of their lives.

The last days of Henny (she dies first) and Shanti continue to be a reflection of their married life till then, even though Shanti has retired (owing to his poor health) and their daily routines have changed, allowing them much more time to spend with each other. Henny spends her last few days of critical illness still with the same vigour and determination she had throughout her life, even though her body is very fragile by then. After her death, Shanti’s life becomes very miserable. Combined with his fragile heart condition and delusions of old age, his loneliness becomes very much magnified. Vikram tries to be of assistance and visits Shanti often. In the aftermath of Shanti’s death, when the contents of the will are revealed, Vikram is shocked by the fact that Shanti has left nothing to his family. This, it seems to Vikram, is totally out of line with Shanti’s character, who always holds family in great importance, or so he says. Even though Shanti corresponds with his family, he never visited India after his wedding. Shanti and Henny seemed to have been comfortable only in their own space they created for themselves. A moving account of the lives of these two people brought together by circumstances beyond their control, by grief, by friendship, by mutual concern – that is what The Two Lives is all about.

P.S. I wrote this piece sometime around July/August last year. I read this book after a long spell during which I did not read any books and from then on, I have started reading books fairly regularly. This space will hopefully see more of my thoughts on the books I have read recently.