Caves of Han-Sur-Lesse

From the time I saw Pangaea’s (the international meeting centre of KULeuven) announcement for a trip to Ardennes (the range of mountains in Wallonia, the French-speaking region of Belgium) covering the caves of Han-Sur-Lesse (with a beautiful picture of stalactites and stalagmites) also, I really wanted to visit this place. After having missed that due to a planned hike on that day (which finally was postponed to another date), I decided that I should definitely visit it this year and that finally happened last Sunday. From a topic discussed on TripAdvisor, I found out how to reach this place by public transport. The nearest railway station to Han-Sur-Lesse is Jemelle. All train schedules within Belgium can be accessed and tickets can be booked on:

I left at 8 AM from my home and cycled to Leuven Station. I took the 8:28 train to Ottignies (9:08), from where I took a train (09:15) to Jemelle (10:20). Then, I boarded the TEC bus no. 29 at 10:34. The schedule is available on TEC website, where you can search for number 29, direction Grupont. The ticket, which is 2.40 EUR one way, can be bought on the bus. The bus driver asked me to get down at ‘Han-Sur-Lesse Eglise’ bus stop. I reached there at 10:48. The trip to the caves starts from the visitor centre, which is located at about 100 m from the bus stop. It is right across the church, at one side of which the bus stop is located.


The first visit for the day was only at 11:30. I went inside the visitor centre to enquire about the trip. I had bought a combination ticket  online for 20 EUR, which is valid for visiting the caves, Safari in the wildlife reserve, museum and a 3D game. The same ticket is priced at 22.50 EUR at the ticket counter there. I was asked to take the Safari first, which would last 1 hour 15 min. There were 4 options starting at 11:30, 13:00, 14:30 and 16:00 (this varies depending on the season and the latest schedule can be accessed in the website). Taking the Safari first, I would also be back in time for the visit to the caves starting at 13:00 (the same 4 options were available for the caves also). The visit to the caves takes slightly longer – 1 hour 30 min to 1 hour 45 min.

Han-Sur-Lesse is a small village, which has become famous thanks to the caves, which are probably the oldest and biggest such caves in Europe. I walked along the main road and found only restaurants and a couple of small shops. The visitor centre also had a shop selling gifts – some typical Belgian style dolls, postcards, pieces of minerals, diaries and T-shirts.

At 11:25, I boarded the vehicle, which was open on the sides to have a good view during the Safari, along with 10 others. The Safari was good on the whole, but a bit long. It was also quite cold that day. We saw wild cats, European bisons, reindeers, lynxes, an owl,  two brown bears and other animals from the horse family and cattle. The bear looked much bigger than I thought it would be. The animals live in a 15-acre reserve specially created for them, sometime in the 1970s. There were a few stops in between. One of them was to get a panoramic view of the valley and another one, to see the river Lesse flowing into the hills.


At 12:45, we were back at the visitor centre. After a sandwich lunch, I started the visit to the caves at 13:00. We were taken to the entrance of the cave by a short ride on a tram. After asking for everybody’s language preference, the guide decided to give explanations in both Dutch and English. He began by telling us about the history of how the caves were discovered. The caves have been in existence for about hundred thousand years. The caves are inside a hill, on top of which we can only see a forest. There are evidences of people from the Neolithic Age having lived here. But they only lived in the regions close to the outside world and hence, much of the caves remained undiscovered till the 18th century. In the 1770s, the first explorations started. About 14 kilometres of caves full of natural formations of stalactites and stalagmites have been discovered till date, over several years. Only 2 kilometres of this are open to the public. The rest is only available for research purposes. The caves were opened to the public for the first time in 1820s. At that time, since there was no electricity, lamps or torches were used to guide the visitors through the caves, and therefore, some of the stalactites and stalagmites have acquired a shade of black. Now, the caves are well lit with lights at suitable positions to enhance the beauty of the structures. The lights are switched on only during visits, in order to protect the structures. Photographing is allowed without flash. But many people were still taking pictures with the flash on.

Millions of years ago, when the sea level was much higher, this region was part of the sea bed. There are some stretches in which fossils of corals and shells can be clearly seen on the walls. These corals and shells are rich in calcites.

Once the sea level had gone down and this part became a hill, rain water and water from the melting of snow started seeping into the hills. Also, the river Lesse flowed through the hill. The river water, which was acidic, easily dissolved the basic calcites in the corals and shells. The water seeping through the ceiling and the water dripping on to the ground of the caves, started the formation of stalactites (the ones that grow from the ceiling) and stalagmites (the ones that grow from the floor), by depositing limestone. A 4-centimetre-long piece of stalactite/stalagmite takes 100 years to form. All the stalactites and stalagmites continue to grow and we can see water still seeping through. The caves are pretty damp. The formation of these structures would only stop during an Ice Age, when water can no more seep into the hill.

The oldest stalagmite is 6 m high and 21 m wide. It is more than a 100000 years old. This one (especially because of the shining white colour) and many others reminded me of huge tall cakes with different levels with icecream flowing down from them. Another prominent stalagmite is 12000 years old.

Another very beautiful structure of the stalactites are the draperies/curtains. These can be found where the roof of the cave is slanting. When the water flows along such a region, the stalactites start forming like sheets of draperies. They are also found in different colours, depending on the presence of other elements like iron (red) and lead or manganese (grey). Some of these draperies were translucent and they looked like perfect, beautiful marble sculptures. Yes, they were sculptures too, though not by a human hand.

There are 3 levels in the caves. River Lesse used to flow through the topmost level years ago. It doesn’t flow through this level anymore. During the dry periods of the year, it only flows through the lowest level. But when there are heavy rains or after the snow, the second level is also fully submerged under water. This happens 5-6 times during the year. The caves are closed during winter for this reason. Last Sunday was in fact, the last day of this year when the caves were open to the public. We could get a glimpse of the river from the second level itself. The only other place in Europe where a river can be seen flowing through the stalactite/stalagmite caves is located in Slovenia.

In one of the two biggest caves, there was a short 5-minute light-sound show. From there, we could also see the river. The lighting effect was spectacular, making you notice innumerable details in the structures. The music went well with the whole show. I was reminded of Chandralekha song from Thiruda Thiruda and thought that that would go well with that show too. These biggest caves were possibly formed as a result of huge earthquakes. Boulders chipped off can still be seen lying around the cave.

We walked along the Lesse during the last stretch. It was in this region near the exit where the people in Neolithic Age lived. Many artefacts found by archaelogists are kept for display in a museum close to the visitor centre, but it was closed that day. During war times, people used to take refuge in these regions. Till the second world war, visitors were taken inside the caves by boat through this region, which was actually the exit for us. A cannon used to be fired before the visit began to keep away evil spirits. This tradition is being kept up even now, except that it was done at the end of the visit. We were also asked to tip the guide at the end, since a major part of his salary comes from tips. He has been a guide in the caves for 47 years now and seemed quite knowledgeable. The exit of the caves was 300 m away from the visitor centre.

I reached the visitor centre by 14:50. I skipped the 3D game also, which was on the way, since I was not sure if it was open and also, nobody else seemed to be going inside that place. After buying 2 small dolls, which were on sale with 50% discount at the visitor centre, I took the same bus no. 29 at 15:17 (direction – Jemelle) to the Jemelle station (15:31). Taking the same route by train, from Jemelle (15:39) to Ottignies (16:44) and Ottignies (16:52) to Leuven (17:32), with the second train delayed by 7 minutes, I reached Leuven and then home by 6 PM.

I highly recommend this place for a one-day trip within Belgium if you are interested in seeing beautiful natural formations of stalactites and stalagmites. The full set of pictures can be accessed here.


The ARR Top 20 Project

As soon as I saw this new topic in the ARR fan club about making your list of Top 20 ARR songs, I was curious to try it out and find out which songs would end up in my list. I did it a bit differently. Firstly, I decided not to listen to ANY music while making the list to ensure I was unbiased. I tried to think of the first thing that came to my mind for each song. I thought of the ‘impact’ it has on me – every time I listen to it. I thought of whether the song has the same impact on me now as it did a few years ago – the ‘timeless’ factor. This was quite hard to judge for the recent songs, especially those from Rockstar. In that case, I tried to see what the song meant to me beyond the musical notes, the lyrics, the voice – if there was something that I connected with at a deeper level. This last fact is true for all the songs that finally made it to my top 20. These are the songs whose ‘souls’ I have been able to connect to, every time I listen to them. I did not think of any technical aspects while making this list. These are songs I have played on loop endlessly, songs which I waited to hear during the cassette days or impatiently rewound innumerable times to loop them and songs which leave me with an awe every time.

As a first step, I wrote down my favourite songs from each album. I also included the non-film albums. There were 166 songs. Then I decided to cross out the songs which I felt were not right there at the top. After a lot of attempts at weighing the relative merits of the songs, I came up with a list which had 84 songs! Then, I decided to do a selection instead of elimination – that is, I chose all the songs that I wanted in the top 20. I came up with 40 for the top 20 spots 🙂 Then came the toughest part of the whole exercise. To make it easier, I decided not to include the non-film songs. After eliminating a few more, there were still 29. I had almost given up at this point. After a lot of heartbreaks, this is what I came up with (listed in no particular order):

(I am listening to each song as I am writing about it now. It is proving to be extremely difficult to switch to the next song)

1. Chinna Chinna Aasai – Roja

The first Rahman song I listened to. Happy, light-hearted, carefree. Beautiful lyrics. Minmini’s voice. ‘Elelo’ in Rahman’s voice. Beautiful visuals. The variation in the beats. The freshness.

2. Pudhu Vellai Mazhai – Roja

The first thing you notice about this song is the unique ‘snowfall’ beat. The theatrical effect that Rahman brings sounds grand, even today. I knew which song to play during my first experience of snowfall about two years back 🙂 The pause before every time ‘Pudhu Vellai Mazhai’ starts after the charanam allows for a moment of solitude, which only adds to the romance beautifully brought out in this song.

3. Thee Thee – Thiruda Thiruda

I listened to this much later than the time of the movie’s release. Veerapandi Kottaiyile was the more popular song at that time. This is a ‘love at first hearing’ song. This is one of Rahman’s most energetic songs. Both interludes are par excellence – the first one mainly with konnakkol and Rahman’s swarams and the second one with Naveen’s flute. I still struggle to understand the lyrics completely, thanks to Carolene’s singing, but I am not complaining. On the whole, this is how fusion with Carnatic base should sound like!

4. Narumugaiye – Iruvar

The salangai chimes moving from one speaker to the other. Poetic Tamil lyrics, which I don’t entirely understand. A Nattai-based song (Never knew Nattai could sound romantic!). Unnikrishnan’s and Bombay Jayashri’s voice. The blend of Ghatam (by Vikku Vinayakram) and salangai. The second interlude on the Sarangi(?). The variation in beats for almost every line (The variation for the first line in the charanam can easily be missed. I discovered it only recently.).

5. Mangta Hai Kya – Rangeela

Rahman sounds funky! I don’t know if he has sounded this way in any other song. The closest is probably Humma Humma. The beats that run throughout this song are like heartbeats, giving life to every moment. The second interlude on the piano is simply magical. Rahman springs a pleasant surprise at the end with the short alaap and swarams. He really is a master in introducing elements of Indian classical music in ANY kind of song. A charming mood-lifter, this song is.

6. Sandosha Kanneere – Uyire (Dil Se Re – Dil Se)

I happened to listen to the Tamil version of this song first and that has stuck with me. There is a slight variation in the tune in the first line of the charanam, which I like better in the Tamil version. Lyrics are good in Tamil too and not a mere translation of the Hindi lyrics. My favourites: ‘kallonRu thadai seidha pOdhum, pullonRu pudhu vErgaL pOdum, nam kAdhal adhu pOla mIrum kannE’, ‘unnOdu nAn kaNda bandham, maNNOdu mazhai konda sondham, kAindhAlum adi Iram enjum kaNNE’. The chorus plays an important role in this song. The jathis/swarams in the interludes and the lag with which they sing (almost whisper) towards the end bring in a mystic sense, as if it is the air that is whispering these lines/carrying voices from far away. I can almost feel the fog in the atmosphere through the muffled beats. A beautifully picturised song too.

7. Jiya Jale – Dil Se

The Malayalam lyrics and the beats add a festive spirit to this song. What an eclectic combination of flute, percussion and santoor in that first interlude! Sindhubhairavi never sounded so buoyant!

8. Theendai – En Swaasa Kaatre

A classical beauty. I think the entire song is based on Shri Ragam. The entire beauty of this ragam is brought out in this passionate song! The beauty of every line lingers on, thanks to the extra karvais or prolonged notes at the end of every single line in the song. This song is worth watching too, just for the beautiful landscapes of Hampi and that pond with amazingly-stacked steps.

9. Pachchai Nirame – Alaipayuthey (Saathiya – Saathiya)

This is my most special song. Perfect in every way. And it manages to manifest itself equally beautifully in every language too! I love this song equally in Tamil, Telugu and Hindi. I was a bit apprehensive before listening to this in Hindi with Sonu Nigam’s voice, but he does complete justice to the song. The lyrics – the beautiful concept of describing the different shades of love. Hariharan sings this extremely gracefully, as if whispering into the ears of his girl. This, in my opinion, is THE best picturised song of ARR. Madhavan and Shalini only add to the beauty of the already breathtaking locations. This song has got to be experienced – no more words to describe it.

10. Do Kadam – Sonu Nigam  Meenaxi

A very contemplative, soulful, mysterious song. The song of hope – to find a better place (heaven?), which we are just two steps short of. This song reminds me of the time I used to listen to this sometimes (the rare times when I was not listening to Aayitha Ezhuthu) while solving Physics problems while preparing for JEE (maybe it gave me the hope that I would be able to handle Physics, which I found to be the toughest of the three subjects). A simply structured song, but conveys much more.

11. Hey Goodbye Nanba (Short Version) – Aayitha Ezhuthu (

This is the piece that appears when Siddharth and Trisha do never-ending round trips on the bus on their last evening together before her wedding. It is just one-and-a-half minutes long and the melody is the same as that of the full version of the song, but the lyrics are different and very apt for the situation. I like this even better than the full song – the opening notes on the piano and the guitar are magical.

12. Yakkai Thiri (Fanaa) – Aayitha Ezhuthu

I have already written about this here. To add to that, this song is mostly based on Suddha Dhanyasi.  The series of metaphors in the lyrics and the concept of One love has more meaning than it first appears. This song, if I remember right, was composed for the lyrics which Vairamuthu had written earlier. A slightly modified version was used for the final version of the song. Rahman carries the entire song, with his voice too.

(It was extremely difficult to leave out the other songs from Aayitha Ezhuthu. They were all there in the 40 I wanted in the top 20. It was especially difficult to give up Nenjam Ellam and Sanda Kozhi, but at some point, the songs from other movies took over)

13. Spiderman – New

A unique song for the mood it creates. The repeated melody (on the guitar?) creates the mood of the song from the beginning. Kunal Ganjawala’s (he even manages to pronounce the ‘zha’ properly) and Sadhana Sargam’s voices fit in perfectly for this passionate, intimate, mystic song.

14. Porkalam – Thenali

The best part of this song – 1:51 to 2:09, which also appears during the second interlude. This is a slow, beautifully flowing song – almost like a conversation between the two. Gopika Poornima’s voice sounds very good. This is one song just for listening – not at all to watch. A soothing melody.

15. Mausam & Escape – Slumdog Millionaire

One of the best instrumental pieces of Rahman. The sitar-guitar combination is deadly. Grand, epic sound. Full of energy.

16. Sahara – Sivaji

This is the most underrated song in this album. Its more popular version ‘Sahana’ sung by Udit and Chinmayee doesn’t quite create an impact for me. Vijay Yesudas sings and hums very soulfully (I am glad we got to hear him again (in a Rahman song) in ‘I’ve Been Waiting’). The Thiruppavai lines ‘Maale Manivanna..’ are set in a moving Suddha Dhanyasi accompanied by the rhythms of the guitar. That is the highlight of this song. This could also be thought of as a melancholic interpretation and an instrumental/humming version of ‘Sahana’.

17. Aaromale – Vinnaithaandi Varuvaaya

That’s the song that has always been on my playlist ever since the music of Vinnnaithaandi Varuvaaya released. Infact, I fell in love with this song from the first time I heard it. It’s magical to say the least and it’s one of those rare songs which I can listen to any time in any mood. Infact, it creates my mood everytime – of joy, of awe, of magic. Just like the first time. There’s something about the song which is indescribably blissful. Be it the opening guitar, the voice of Alphons Joseph, the beats, the ‘Swasti Swasti Sumuhurtham..’ chorus or Ganesh Rajagopalan’s violin. There’s something unique in how it all comes together and makes the song what it is. The song is based on the ragam Bhageshri, one of my most favourites. I don’t know why but everytime I walk along St. Pieter’s Church (the structure looks beautiful from every angle) in the centre of Leuven, I feel like listening to this song. I don’t know if it is because they show a church in the movie too. When every face of the church appears before me as I walk around it, the sound of the opening strings of guitar play in my mind. Epic song.

18. Jaa Re Ud Jaa Re – Raavan

The surprise song in Raavan. I like the version rendered by Rahman during the music launch of ‘Raavan’ the best (it is slightly different from how it appears in the movie). A song which instantly connects with the soul. It sounds like a conversation with oneself – introspective, ruminating over the past and spiritual. Rahman brings out the magic with his voice.

19. Acid Darbari – 127 Hours

How can a piece of music be so touching, so moving and convey a whole spectrum of feelings without uttering a single word? Is this what is Rahman’s touch? I don’t know, but I know for sure that it is something divine. It brings tears to my eyes, yet comforts me. The cry (of Aron?) reveals the pain, but the continuously flowing sounds of the continuum soothe. The romantic Darbari mostly used in film songs puts on a mournful face here. Yet, there is an indescribably beauty in every note. [I wrote this down on the day I first listened to this piece. I feel exactly the same even today.]

20. Jo Bhi Main – Rockstar

I really connected with this song after reading about Jordan’s character as described by Imtiaz Ali – that Jordan can only connect with other people’s music, which cannot lie unlike their words and that he can express himself only through his music. Earlier, it was the sound of the opening guitar, ‘ya ya ya’ and the lyrics, which I appreciated, only superficially. After reading that, I could sense something beneath all this – probably the true emotions that the song tries to convey. When I hear the same ‘ya ya ya’, I can feel that those words are trying to convey something deeper, something which can’t be expressed by any other meaningful words. This has also become my most favourite song in Rockstar. There is much more that I am yet to discover in this song, but I know it is going to be in my playlist forever! My favourite line: ‘jO bhI main kehna chAhoon, barbAd karEn alfAz mErE’. I hope you could hear some of the music behind all these words I have written here, which otherwise probably quite didn’t convey what I wanted to say!

P.S.: After coming up with the list, I made a short analysis and saw that 10 of the 20 are from Mani Ratnam’s movies! Also, 10 of them are from films released in 1992-2000 and10 from 2001-2011. I certainly didn’t expect that!

லூவனில் புது வெள்ளை மழை

சில நாட்களுக்கு முன்பு, எனது பல்கலைக்கழகத்தின் ‘Metallurgy and Materials Engineering (MTM)’ எனும் பிரிவின் வருடத்தில் இரு முறை பதிவாகும் செய்தி இதழில், நான் ஒரு கட்டுரை எழுதினேன். அதை இங்கு தமிழாக்கம் செய்து பதிவு செய்யலாம் என்று நினைத்தேன். நான் இப்பொழுது வசிக்கும் இடம் லூவன் என்ற நகரம். இது பெல்ஜியம் எனும் தேசத்தில் உள்ளது. பெல்ஜியத்தின் தலைநகரமான பிரஸ்ஸல்ஸிற்கு  இங்கிருந்து இருபது நிமிடங்களில் ரயிலில் செல்ல முடியும். நான் முதல் முறையாக என் வாழ்க்கையில் ‘snow’ பொழியும்பொழுது எப்படி இருக்கும் என்பதைக்கடந்த குளிர்காலத்தில் தான் அனுபவித்தேன். இந்த கட்டுரை அந்த முதல் அனுபவம் பற்றி தான்.

இன்றும் எனக்கு ஞாபகம் இருக்கிறது அந்த நாள் – பதினேழாம் தேதி டிசம்பர், 2009 – லூவன் தன் குளிர்காலத்தின் முதல் snowவைக்கண்டது, நான் என் வாழ்கையின் முதல் snowவைக்கண்டு களித்தேன். எனது சொந்த ஊரிலோ (சென்னை) வெயில் கொளுத்தித்தள்ளும் சதா சர்வ காலம். அதனால் அந்த முதல் காட்சி என்னை பிரமிக்க வைத்தது.

இலைகளின் மேல் பூத்திருக்கும் பனித்துளிகள், வாத்துகள் நீராடும் குளங்கள் ஐஸ் கட்டியாய் மாறியது – இக்காட்சிகளை நான் டிசம்பர் ஆரம்பத்திலிருந்து தினமும் என் வீட்டிலிருந்து MTM செல்லும் வழியில் சிறிது நேரம் நின்று பார்த்து பரவசம் அடைந்திருக்கிறேன். ஆனால் அந்த பதினேழாம் தேதி பொழிந்த snow வை நான் எதிர்பார்க்கவேயில்லை. லூவன் முழுவதும் பளிச் என்ற ஒரு வெள்ளை மெத்தையை விரித்தது போல் காட்சி அளித்தது. பகலில் சுமார் பனிரண்டு மணிக்கு பஞ்சு போல் பறக்கத்தொடங்கிய அந்த snow துளிகள், கொஞ்சம் கொஞ்சமாக தனது சக்தியை வெளிப்படுத்தி, இரவு நேரத்தில் பெரிய கட்டிகளாக விழுந்தது. இதனால் அன்று பெல்ஜியம் மிக மோசமான ட்ராபிக் ஜாமைக்கண்டது.

‘MTM’ யில் இருந்து அன்று நான் தயக்கத்துடன் வீட்டிற்கு மெதுவாக நடக்கத்தொடங்கினேன். ரோட்டில் வாகனங்கள் கண்ணுக்கெட்டிய தூரம் வரை நின்று கொண்டிருந்தன. ஆனால் எனக்கு அந்த snow வின் அழகு மட்டும் தான் தென்பட்டது. அந்த பஞ்சு போல் இருந்த snow வைத்தொட்டு பார்க்க வேண்டும் என என் மனம் துள்ளியது. அதன் மேன்மையை முழுதாக அனுபவிப்பதற்கு முன், பெல்ஜியத்தில் கிடைக்கும் சாக்லேட்டுகள் எப்படி நம் வாயில் கரைந்து போகுமோ, அது போலவே இதுவும் என் கையில் கரைந்தது. நான் வீட்டிற்கு செல்லும் வழியில் பல அற்புதமான காட்சிகளைக்கண்டேன்; என் மொபைல் தொலைபேசியில் தொடர்ந்து படம் பிடித்தேன். ஆரென்பர்க் அரண்மனையின் பிரம்மாண்ட தோற்றம், snow வை இலைகளாகக்கொண்ட மரங்கள், ஒரு வீட்டு வெளியே இருந்த கிறிஸ்துமஸ் அலங்காரத்திற்கு அழகூட்டிய snow – இப்படி பல அழகான ஓவியம்போல் தென்படும் காட்சிகளை அந்த முப்பது நிமிடங்களில் கண்டேன். ஆனால் என் மனம் குளிரவில்லை. தாகம் தீரவில்லை. அதனால் ஒரு தொழியுடன் வெளியே சாப்பிடச்சென்றேன். ரோட்டில் snow சில இடங்களில் கரையத்தொடங்கியது. நடப்பது கடினமாக இருந்தது. நல்ல வேளை வழுக்கி விழவில்லை. முதலில் பறக்கும் snow வாக இருந்தது, இரவில் தலையில் ‘தொம்’ என்று விழும் snow ஆகி விட்டது.

snow வைபார்க்கும் பொழுது எனக்கு மழை நினைவு வந்தது. நீரின் அடர்த்தி ஐஸைவிட அதிகமானதால் ஐஸ் கட்டிகளை நாம் பறக்கும் வடிவத்தில் காணலாம் ஆனால் மழை நீர் துளிகள் எவ்வளவு சிறிதாக இருந்தாலும் அவைகளை பூமியில் விழும் முன் மேலும் கீழும் பறந்து கொண்டு காண இயலாது. நம் ஊரில் மழை பெய்தால் குழந்தைகள் காகித படகுகள் செய்து தண்ணீரில் மிதக்க விட்டு விளையாடுவார்கள். இங்கோ snow பொழிந்த பிறகு கரையாமல் இருக்கும் snow வை  வைத்து ஸ்னோமேன் செய்கிறார்கள் குழந்தைகள். ஆரேன்பர்க் அரண்மனையின் முன் இருக்கும் பச்சைப்பசேல் புல்வெளி வெள்ளை வெளேர் என்று மாறி விட்டது. அங்கு நிறைய ஸ்னோமேன்களைக் குழந்தைகள் செய்திருந்தார்கள்.

அந்த முதல் snow வை அனுபவித்த பிறகு, இன்னும் பல முறை அதைப்பார்க்கும் வாய்ப்பு எனக்கு கிடைத்தது. ஒவ்வொரு முறையும் மிகவும் ரசித்தேன். சில சமயம் அது அழுக்காகி ஐஸ் கட்டியாய் மாறும் சமயத்தில் மறுபடியும் அந்த மென்மையான புது வெள்ளை மழை பொழிந்து தன் அழகை மீண்டும் வெளிப்படுத்தும்.

அடுத்த குளிர் காலத்திலும் நிறைய snow பொழிய வேண்டும் என வேண்டுகிறேன். லூவனுடைய அந்த மாயமான தோற்றம் மீண்டும் தென்படட்டும்!

Raavan – The Music

Raavan is yet another delightful journey into Rahman’s world of music. It has all the ingredients of his music – the vintage stuff, the new sounds, beautiful classical interludes and freshness. Rahman sets himself apart from his last work Vinnaithaandi Varuvaaya and how!

The opening of the Beera Beera song is probably the best I have heard in recent years. The buildup before ‘Beera’ is sung first time, mainly using different voices (including Rahman’s) and some percussion is something you could have never imagined from what was shown on the trailer earlier. I was, at one point, listening only to the first 30 seconds of this song repeatedly.  The stereophonic effect with Rahman’s voice sounds so good!  From the first Beera, it’s all about Beera. I wonder if the word Beera has been used so many times in so many different ways simply to bring out his ten heads and ten minds and hundred voices. My favourite parts in this song are the energetic beats accompanying Dhama Dham Dham Dham and Rahman’s voice of course. I have been looking forward to hearing this song right from the moment I saw the first trailer of Raavan with those stunning visuals of Abhishek kicking the stone into the river before himself taking a dive. This song is instantly catchy and is sure to be a hit. I only wish it lasted longer than 3:16!

The mystic sounds that Behne De opens with, which also plays in the background of Raavan website, I guess, will serve as the theme of the movie and is likely to be heard a lot in the movie. The song slowly builds up from these sounds to Karthik starting to sing ‘Are Aankh Se…’. Then it flows on to ‘Behne De Mujhe Behne De’ to the final climax of ‘Beh Gaya Beh Gaya’, where Irfan does a very good job (He sang very well at the music launch too) and the whole saga repeats. There are some beautiful interludes building up with the flow and mood of this sombre song.

Thok de Khilli is another song with catchy beats and fast paced which ends on an even faster note. We now have an idea of how this song is picturised from Abhishek’s performance at the music launch – Raavan with his gang bellowing out his ideologies with the support of Hey Hey’s from his gang. The interlude from 1:28 to 1:44 is typical Rahman stuff, which too changes its tone after this point, paving way for Sukhwinder to continue with the earlier tone of the song. The song sounds stylish with its beats and the interlude from 0:08 to 0:12, which is also heard later on. In the first listening, atleast the beats and the chorus parts are instantly likeable if not the whole song itself.

The opening sound of the wind (in a desert?) and Anuradha’s modified voice (sounds exotic) give the Arabic feel, but is not retained once Ranjha Ranjha starts off. I started noticing this song more when there was a variation in the way Rekha sings Ranjha Ranjha from 2:03 to 2:12. I really like the song only after the first charanam starts, with ‘Waqt Katta Bhi Nahin..’ and we also get to hear more of Anuradha. Rekha’s voice suits the song well.

Khili Re was my instant favourite in the first listening. The anklet sounds, the frilly classical interludes, the romantic lyrics, Reena’s voice and Naveen’s flute blend in beautifully in this song. This is the kind of song that Rahman always does full justice to. This reminds me of songs like Saanwariya, In Lamhon Ke Daaman Mein, Yeh Rishta kya and many such beautiful melodies of Rahman. This song too is shorter than I would have wanted it to be.

With bang-on drums, Shehnai interludes, Ila Arun’s voice and cheesy lyrics comes across the folk wedding song Kata Kata. The grand drums remind me of Azeem-Oh-Shaan and from the CD covers, I hope this song will be equally colourful. This song took a few times to get a hang of. It seemed to be so full of beats in the first listening but then, with each listening you discover layers and layers of music packed into this high-energy song. I especially loved the short shehnai interlude from 1:38 which follows into the ‘Ho Raaa..’ and later melts into the background. Another nice interlude is the one from 2:36 to 2:46. This song too closes with high tempo of ‘Ek aur gaya’. I enjoy each and every moment of this song now. This could be a great mood-lifter!

The surprise package in the form of ‘Jaa Re Ud Jaa Re’ is currently my most favourite in this album. Rahman rendered this so soothingly at the music launch of Raavan. I was definitely disappointed with the absence of any song in Rahman’s voice in the album but this one really made up for it. As all fans are wishing for, I too wish this is officially released. The strong rhythm in this song appealed to me the most the first time. The piano notes are extremely beautiful and also the way Rahman sings it, joined by the other person in the chorus. When he goes ‘Oh Beera..’ (it sounds like that to me), the effect is simply amazing. This too is a short song lasting only around 4 minutes but so very satisfying!

As all Mani Ratnam-ARR combos, this one too is magical and is sure to stay in my playlists forever!

What a day and What a night!

The Day

4.30 AM February 23rd 2009 – The alarm goes off. Waking up with the same excitement as if it was Deepavali, I got ready quickly and switched on Star Movies first, only to find some football movie going on. Soon, I flipped the channels and came to our very own 24*7 news channels and found that only NDTV was covering the Red Carpet live. The excitement started building up. It was a long wait before we actually caught a glimpse of ARR with his wife on the Red Carpet 🙂 The Slumdog team walked in smiling, the whole team including the child stars, who just stole the show away. NDTV gave quite a good coverage of the Red Carpet except the ARR part 🙂 It was a long wait till 6.30, before the show would start on Star Movies. In the meanwhile, the buzzwords Slumdog and ARR were echoing everywhere. At that moment, I don’t know what I was feeling about the prospect of ARR winning. Infact, I wasn’t thinking so much about it as I was about seeing ARR performing at the Oscars. The show started on Star Movies at 6.30 with the Red Carpet! So, again, it was back to flipping channels till 7 AM, when the show finally started! From the time Hugh Jackman started off with his antics, the excitement started growing more and more. Resul Pookutty started off the dream run of the Indians at the Oscars. It was a heart-warming moment seeing him give his acceptance speech. It was 9.15 or so. Without any warning, the nominations for Best Original Score were announced 🙂 My heart was beating so fast and I was just elated hearing that ‘The Oscar goes to.. A R Rahman’ 🙂 It was totally unbelievable. What a speech he gave! Speaking in English, Hindi and Tamizh, he was just amazing. Again, without giving us any time for it to sink in, ARR started performing O.. Saya and Jai Ho. He performed pretty well and I liked the way he and the other singer finished off together in the end. Yes, finally, the Americans were ready to see Indian film music in the same standing as theirs. Again, this time more unbelievable, ARR’s name was announced. ARR had made history! The words he chose to accept his award this time were even more touching. He chose love over hate all through his life and he was there! ARR would always remain such an inspiration – be it through his magical music or just from the kind of human being he is! In just 15 minutes, ARR had created history; something that is going to have an everlasting effect on the fate of Indian music, his career and his fans, of course. ARR always sees the hand of God in all of his creations. This feeling is translated to us too when we hear his music; yes, it’s God’s own. It leaves us with a feeling for which bliss is too small a word! It makes us wonder if it’s some divine music. It makes us lose ourselves. We become one with the music. I feel it’s something like resonance. The frequency of our soul matches that of his music and there’s resonance. We have found our natural frequency. We have found the ultimate state. And we see God.

The Night

Yes, I did see God last night. But this time, in a more gross form. It was Sivaraatri last night and what better way to celebrate it than going around Siva temples all around Chennai.
9 PM, 23rd February, 2009 – I started temple-hopping with my family. It was a non-stop journey. Chandramouleeswarar temple @ R A Puram. Sringeri Saaradambal Temple @ R A Puram. Tiruvottiyur Vadivudaiyamman temple. Komaleeswarar temple @ Pudupet. The Mylapore temples: Vaaleeswarar. Viroopaaksheeswarar. Malleeswarar. Kaaraneeswarar. Teerthapaaleeswarar. Apparswamy temple. Kapaaleeswarar. Velleeswarar. Mahaalingapuram temple. Siva-Vishnu temple @ T Nagar. Kasi Viswanathar temple @ West Mambalam. Sankara Mutt @ West Mambalam. Sringeri Saaradaambal Temple @ West Mambalam. Agasthiyar kovil @ T Nagar. Sringeri Saaradambal Temple @ T Nagar. Marundeeswarar temple @ Tiruvanmiyur. Jalakanteswarar @ IITM. Came back to IIT at 4.30 AM in the morning.

The 24 hrs turned out to be such a wonderful time. Whenever I was at home, it was ARR all around. Every channel wanted to show something or the other. For once, I was not irritated with the way news channels kept harping on the same thing 🙂 Just didn’t want to miss a single thing about ARR that was being said or shown. The Sivaraatri experience was equally enjoyable. Though I started feeling sleepy by around 2 AM itself, it still was worth it. The only two places where we couldn’t see the main God because of unimaginable crowd was Marundeeswarar and Kapaaleeswarar. Other places were pretty peaceful. It was interesting to see how everybody had their own way of spending the night. Temple-hopping was one option, of course. You could see a lot of vans taking around people to various temples. The other option was to spend the night in one temple – either awake chanting slokas or even sleeping in the temple! This last option found so many takers that in many temples, we had to find a path with great difficulty to do a pradakshinam.
The non-stop 24 hours had made me tired I guess. I fell asleep at 4.30 and got up only after 5 hours, with phone calls and alarms failing to wake me up from my slumber. Hence, the punyam I had acquired by staying up for Sivaraatri is lost 😦 Nevertheless, what a day it was! and what a night!

A new year dawns…

Firstly, a very Happy New Year to one and all reading this. Let me get on with the blogpost now. I didn’t realize it’s been more than a year since I wrote something here. So here goes my first new year resolution. I should write my next blogpost this year itself 😛

Anyway, this year is going to be quite different from the earlier ones. My last semester at IITM has begun and I don’t know where I would be heading in the latter part of this year. Life is surely going to be interesting. Coming to the present, this semester seems promising, with just two courses and the famous BTP (B.Tech. Project), of course. Had a good time with BTP last sem. Hope to enjoy it more this sem.

As far as expectations for me from this year goes, I don’t want to miss a single concert of Sanjay before I leave Chennai. As the music season draws to an end and with me having attended all but one concert of Sanjay till now, I am just totally crazy about his music now and don’t even feel like listening to anything else. That gets us to the next thing. I hope, not too many of ARR’s albums release this year. I want to be able to listen to all of his albums atleast in the same year they release, unlike what happened last year. I still can’t identify which song belongs to Ghajini and which to Yuvvraaj! Another thing I am excited about is the fact that Sonu Nigam would be doing the LM proshow at Saarang this year. As of now, it looks like the Golden Jubilee Edition of Saarang is going to be really grand.

Already feeling lazy to write more 😦 So let me stop here. Gonna watch ‘Maargazhi Raagam’ today evening at Sathyam 😀

Azhagiya Thamizh Magan

It’s been more than two weeks since the audio of this movie released and finally I got the time to sit down and listen to this, last weekend. The album is pretty good on the whole and no song is bad, as is always the case with all ARR albums 🙂

EllAppugazhum – ARR

Catchy song. Though not very impressive in the first listening, I am hooked to this song now. The feel of this song is like the ‘Ah Aah’ title song. From ‘Eh Thozha..’ to ‘Azhagiya Thamizh Magan nee dhAne’, the way the music builds up is awesome. It doesn’t make you lose interest in the song. The interludes are magnificent and when the line ‘Naalai Naalai..” starts, the way the music combines with ARR’s voice is too good. And again, from Eh Thozha, ARR’s voice and chorus dominate the background music. ARR has changed the pitch at 4.12. This is something we don’t see often in his songs nowadays but very common in the older days. Very good use of chorus in this song. The last one line could have been avoided. On the whole, I like this song a lot.

PonmagaL vandhaaL – Aslam

A very good remix, with the right mix of everything 😉 – the voices, the rap, the beats, retaining the voice for two lines from the original song. The CD says Krishna Chetan has remixed this song. He has also done additional programming for the album. I listened to the original song once 🙂 The extra frills and nuances of the original song have been perfectly cut off to suit the mood of the remix. As in the cases of other remixes, the pace of the song has been stepped up in this too. I see people talking about the ‘remix’ of Thottaal poo malarum in some blogs. Thottaal poo malarum is in no way a remix. ONLY the lyrics was used. The tune is in no way related to the original song.

Nee Marilyn Monroe – Benny Dayal, Ujjayinee

Undoubtedly the best song of the album and the longest too. Though I find the kind of female voices used for the line ‘ Hey Saturday night partykku…’ irritating generally, especially since it is quite often heard in Hindi film songs being unnecessarily used, it perfectly suits this song and it has been used at the right dosage. The pace of the song is just right. The first time I heard it, I thought it could have been a bit faster but not anymore. The interlude at 2.48 and the line ‘ullAsamAi urchagamai..’ are very pleasing to the ears. The various kinds of sounds used in this song adds a great flavour to the song. This song is sure to be high on my list of songs I repeatedly listen to.

VaLayapatti – Naresh Iyer, Ujjayinee, Madhumita

This should have been the best song, had it been a little more structured. Maybe it would be better on seeing the picturisation, but I don’t think I would be seeing the videos of these songs, with Vijay in it 😉 Anyway, the highlights of this song – the swarams in different ragams, Naresh Iyer’s voice :), the very first interlude in the song and almost all the interludes. Things that made me decide this wasn’t the best song in the album 😉 – the similarity of the tune ‘vaLayapatti thavile thavile’ to the line ‘Avalukkenna ambA samudhira Iyer hotel’ from the song ‘Kummi adi’ in the movie Sillunu Oru Kadhal, the abrupt change in the music after the first two lines. This song has a folk touch, for instance after ‘Un sirippo sindhubhairavi and those other lines sung by the male voice, and a classical touch to it in the lines immediately following in the female voice. But I feel that the blend of these two flavours could have been much better. The tune as such is not extraordinary. But, a very enjoyable song on the whole.

KelAmal – Saindhavi, Sriram Parthasarathy

A very soothing song. Saindhavi’s voice has been masked by the background music in many places, which could have been avoided. But the background music running throughout the song is what adds beauty to this song. The use of violin is excellent and builds up the pace of the song. Sriram’s voice is quite deep and suits the song very well. The tune of the charanams is quite ordinary again. A good song, which again could have been made to sound much better.

Maduraikku pOgAdhadi – Benny Dayal, Archith, Darshanaa

A typical folk song with all the elements in the right proportion. Though it’s not my kind of song, it’s a very good song of this genre. The beats, the lyrics, the use of so many voices and the catchy tune makes this a perfect folk song. Lyrics are quite funny, especially the lines quoting the specialities of the places in TN. Looks like this song would suit KaragAttam very well 🙂 Good song.

ARR rocks yet again 🙂